ENGLISH
WARNING! - Important safety instructions
WARNING! - Important safety instructions (cont.)
!
WARNING: THIS APPARATUS MUST BE EARTHED!
➲ Caution: Any changes or modifications not expressly approved by the party responsible for
compliance may void the user’s authority to operate the equipment.
EGNLISH
A
B
PLEASE read this instruction manual carefully before switching on.
➲ Note: It is recommended that all audio cables, with the exception of the speaker lead, used to
connect to the AVT100 Combo are of a high quality screened type. These should not exceed 10
metres in length. Always use a non-screened Marshall approved speaker lead when connecting an
extension cabinet to these units.
ALWAYS use the supplied mains lead, if a replacement is required please contact your
authorised Marshall Dealer.
C
D
E
NEVER attempt to by-pass the fuses or fit ones of the incorrect value.
➲ WARNING: Do not obstruct ventilation grilles and always ensure free movement of air around
the amplifier!
DO NOT attempt to remove the amplifier chassis, there are no user serviceable parts.
Refer all servicing to qualified service personnel including replacement of fuses and
valves. Servicing is required when the apparatus has been damaged in any way, such as
when the power supply cord or plug is damaged, liquid has been spilled or objects have
fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not
operate normally or has been dropped.
USA ONLY - DO NOT defeat the purpose of the polarised or grounding type plug. A
polarised plug has two blades with one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the third prong is provided for your safety.
When the provided plug does not fit into your outlet, consult an electrician for replacement of the
obsolete outlet.
F
NEVER use an amplifier in damp or wet conditions. No objects filled with liquids should be
placed on the apparatus. When cleaning, only use a dry cloth.
FOLLOW ALL INSTRUCTIONS AND HEED ALL WARNINGS
KEEP THESE INSTRUCTIONS !
G
H
ALWAYS unplug this apparatus during lightning storms or if unused for long periods of time.
Protect the power cord from being walked on or pinched particularly at plugs, convenience
receptacles and at the point where they exit from the apparatus.
I
DO NOT switch the amplifier on without the loudspeaker connected.
J
ENSURE that any extension cabinets used are of the correct impedance.
➲ EUROPE ONLY
- Note: This equipment has been tested and found to comply with the
requirements of the EMC directive (Environments E1, E2 and E3 EN 55103-1/2) and Low Voltage
directive in the E.U.
➲ EUROPE ONLY - Note: The Peak Inrush current for the AVT100 is 22 amps.
This equipment has been tested and found to comply with the limits for a Class B digital device,
pursuant to part 15 of the FCC rules.
These limits are designed to provide reasonable protection against harmful interference in a
residential installation. This equipment generates, uses and can radiate radio frequency energy and,
if not installed and used in accordance with the instructions, may cause harmful interference to radio
communications. However, there is no guarantee that interference will not occur in a particular
installation. If this equipment does cause harmful interference to radio or television reception, which
can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
➲
➲
➲
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and the receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is
connected.
➲
Consult the dealer or an experienced radio/TV technician for help.
2
3
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Introduction
Introduction (cont.)
What is AVT?
DFX On board
EGNLISH
Advanced Valvestate Technology, or AVT for short, is a major step forward in hybrid amplifier
design which is exclusive to our new Valvestate 2000 (VS2000) Series of amplifiers. It has evolved
from the original, critically acclaimed Marshall Valvestate technology, but is improved so that it
emulates even more closely the feel and response of the classic Marshall all-valve power
stage...without using valves.
At Marshall our aim is to create products that offer our fellow guitarists true inspiration in the
practice and performance of their art. When integrating DFX (Digital Effects) into the tonal topology
of AVT, the greatest care was taken to ensure that the highest level of signal integrity was
maintained. Through careful shaping and mixing of the ‘wet’ (processed) and ‘dry’ (unprocessed)
signals, we have ensured that the on board effects enhance your tone while adding none of the
nasty, artificial ‘grain’ often associated with DFX.
It is not only the power stage that has been significantly improved in the VS2000 Series. Much
careful attention to detail and many hours of development have also gone into the preamp section
too. As a result, each AVT channel offers the widest possible range of control and shape to your
sound, with an ECC83 (a.k.a.12AX7) preamp valve adding to the all-important tone and feel of
these latest Marshall creations.
We are so proud and enthused by the end results of our labour that we feel fully justified in
hailing Advanced Valvestate Technology as a major breakthrough in hybrid guitar amplifier design.
We are convinced that you will derive as much pleasure from playing them as we did while
designing them. Enjoy!
Valve Drive Pre-amp
As just stated, each amp in the VS2000 range boasts a preamp stage equipped with an
ECC83 Dual Triode valve. Drawing on our vast experience in this field, we have gone to great
lengths to ensure that this precious device delivers maximum sonic benefit at all settings and
volume levels. As a result, the clean sounds ring with the ‘bell-like harmonics that only a valve
’
AVT100 Front Panel Features
preamp can deliver and, when pushed, the break-up is never harsh or unnatural sounding.
Whenever an AVT Overdrive channel is selected the ECC83’s dual triode is saturated to its limit,
providing the dynamics and feel worthy of a place in the Marshall hall of fame.
At higher Gain settings you will pass
I. The Pre-amp Section
Power Amp Delivery
through natural, valve-induced compression
Your AVT100 combo amp boasts three
independent channels: Clean, Overdrive 1 and
Overdrive 2. The preamp section is where the
gain, tone and relative volume of these three
channels is determined.
and into an increased level of desirable ‘break-
up’ (a.k.a. ‘crunch’) which is perfect for subtly
overdriven blues/rock.
The same sort of toneful care and attention was also focused on the all-important power
stages of the AVT series. Our goal was to ensure that each one would create the warm, musical
feel and 3-dimensional sounds that have made our all-valve power amps world renowned. In
addition, these VS2000 products were designed to deliver the goods in the often hostile and
unpredictable environment of the live performance stage - which is why all the AVT power amps,
from the AVT50 upwards, are fan cooled for optimum reliability.
4
Bright Switch
Most of the Gain controls in classic
1
Input Jack Socket
Marshall amps have been fitted with what is
known as a ‘treble bleed capacitor’. This
device allows extra high frequencies to be
‘bled’ through to the drive section when the
Gain control is at low settings. Engaging the
Bright Switch will ‘bleed’ extra high frequencies
into the drive stage of the Clean channel,
giving you a bright, clean tone perfect for many
styles, including funk and country.
'Extended Bass Response' Loudspeakers
This is where you plug your guitar into the
amp. You must always use a screened
(shielded) guitar cable and never use an
unscreened (unshielded) speaker cable. Also,
this cable should be one of good quality. If you
are in any doubt regarding this, your Marshall
dealer will be more than happy to help and
advise you.
Knowing how important the relationship between the amplifier and speaker is, this is another
area where we spent a great deal of time and effort when developing the VS2000 Series. By
working extremely closely with our long-term colleagues at Celestion Loudspeakers, we have
successfully developed a range of speakers which, through radical design, re-define the state-of-the
art in rock guitar reproduction. In a nutshell, they allow the compact closed back cabinets used in
the AVT range to maintain the bottom end delivery normally only associated with a full 4 x12
cabinet set-up.
The higher the Gain control is set, the less
effect the ‘treble bleed capacitor’ has. As a
result, at maximum Gain settings, the bright
switch will have no audible effect at all.
2
Clean Channel Selector Switch
This allows selection of the Clean channel
via the front panel.
3
Clean Channel Gain Control
This rotary control regulates the drive into
the two cascaded valve stages of the preamp.
Lower settings will give you a wide range of
well defined, warm clean tones.
4
5
ENGLISH
AVT100 Front Panel Features
AVT100 Front Panel Features
raging Marshall valve amp with a high gain,
overdrive stomp box. If you’ve already
experienced the tonal pleasure of ‘front ending’
a Marshall valve amplifier in this way, you will
appreciate the energy and dynamics of this
type of set-up!
5
Clean Volume Control
Points to remember are:
10 OD1 Volume Control
EGNLISH
As its name suggests, this control
When selecting a sound on any amp:
As its name suggests, this control
determines the volume of the OD1 channel.
The actual setting you choose will be
dependent on how loud you want the channel
to be, and also on the type of sound you have
selected on the pre-amp (i.e.: high Gain
settings will generate much more preamp
output level than lower, cleaner sounding Gain
settings).
determines the volume of the clean channel.
The actual setting you choose will be
dependent on how loud you want the channel
to be, and also on the type of sound you have
selected on the pre-amp. Due to the
a) The tone and output level coming out
of each guitar is as widely variable as guitars
themselves. Remember, guitars and also
pickups are not designed (nor intended) to be
equal. Therefore, amp settings will vary to suit
both your guitar and your playing style, and, by
necessity, are at your discretion.
Turning the OD2 Gain control clockwise
will see more of the already smouldering signal
being sweetly compressed and ‘rounded’ by
the unique characteristic of the AVT’s Valve
Drive stage as it is driven over the top into
total saturation. This channel can also be as
nasty and ‘in-yer-face’ as you would like.
Engaging the OD2 ‘Scoop’ button (13) will take
this channel onto a new level of cranium
crushing crunch, perfect for modern (a.k.a.
‘nu’) metal.
remarkable realism of our Advanced
Valvestate Technology, once the Volume
control is turned-up past a certain point the
preamp will start to push the power amp
section into creating its own, desirable
distortion - just like an all-valve Marshall amp.
When this occurs, the AVT’s power amp will
start to add musical harmonics, compression
and ‘break-up’ into your sound.
b) The tone of your sound is also
dependent on the way you set-up the Volume,
Gain and Tone controls of your amp. Taking
the time to adjust them to taste will further
enhance the sonic textures of your AVT. As is
true of all the best things in life, it is worth
investing some time playing around until you
find the desired sweet spot!
Due to the remarkable realism of our
Advanced Valvestate Technology, once the
Volume control is turned-up past a certain
point, the preamp will start to push the power
amp section into creating its own, desirable
distortion - just like an all-valve Marshall amp.
When this occurs, the AVT’s power amp will
start to add musical harmonics, compression
and desirable ‘break-up’ to your sound.
Note: As each channel has its own volume
control, you can easily balance the levels of all
three channels as you so desire. Once set to
your satisfaction, these controls can be left
alone and you can use the amp’s Master
Volume knob (16) to set your overall volume
level.
13 OD2 Scoop Switch
Note: The amp’s Master Presence control (17)
affords you further adjustment of the high end.
As is true of the OD1 Scoop, this circuit
acts like an advanced, pre-set contour control
that not only ‘scoops-out’ the mids but also
shapes the highs and lows for a tight, focused
sound. Engaging OD2’s Scoop Switch loads
you up with a ‘bottom heavy’ sound perfect for
the de-tuned, high-gain aggression favoured
by many modern acts.
As previously stated, each channel has its
own volume control so you can easily balance
the levels of all three channels. Once set to
your satisfaction, these controls can be left
alone and you can use the amp’s Master
Volume knob (16) to set your overall volume
level to best suit each playing situation and
venue.
7
OD1 Channel Select Switch
Pressing this front panel switch selects
the Overdrive 1 (OD1) channel of your AVT.
6
Clean Tone Controls
8
OD1 Gain Control
The Clean channel is equipped with rotary
Bass, Middle, and Treble controls. These three
passive EQ controls are designed to achieve
maximum tonal variation from your AVT
amplifier. Just like the tone controls on our
famous all-valve amps they are highly inter-
dependent on each other. As a result, the way
each one functions depends on the exact
position of the other two controls. This is
especially true of the Bass and Treble controls
in relation to the Middle control. As you will
discover, the lower the Middle control is set,
the more ‘reactive’ the others become.
This rotary control can be best described
as the ‘sonic brain’ of the OD1 channel. Lower
Gain settings will produce well-defined, natural
sounding overdrives which have a nice ‘cut,’
making them perfect for funky, blues rock.
Higher gain settings will see the sound start to
get more ‘rounded’ as the AVT’s pre-amp
valve is pushed into saturation.
14 OD2 Volume Control
11 OD2 Channel Select Switch
This control regulates the drive of the
OD2 channel into the power stage of the
amplifier, hence controlling its output volume.
You will find that the louder you go, the looser
the bottom end of your sound will become.
Having said this, the closed-back cabinet
design of your AVT is such that it will deliver
tight, well-defined low end at much higher
volumes than any other ‘hybrid’ amplifier
known to man.
This selects the Overdrive (OD2) channel
of your amp.
12 OD2 Gain Control
Cranking the OD2 Gain control will
unleash the most extreme gain levels ever
found on a Marshall Valvestate amplifier. The
higher settings of the OD2 gain control can be
likened to driving the front-end of an already
9
OD1 Scoop Switch
Fine tuned to create the most awesome
mid ‘scoop’ imaginable, OD1’s Scoop circuitry
is more than just a pre-set middle control.
Instead it actually reconfigures the whole post-
EQ voicing of the channel - from low to high.
Because of this, even though the resulting
‘scooped’ sound that occurs when the switch is
activated (pushed ‘in’) is totally extreme, the
channel’s overall tone still remains tight and
focused.
As tone is very much down to personal
taste, experimentation and experience is
probably the best way of learning how these
three controls will affect your sound. To offer
you some guidance, suggested settings are
shown later on in this manual.
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AVT100 Front Panel Features
AVT100 Front Panel Features
the case of plate reverbs, a mechanically vibrating metal plate. These echoes are extremely
complex in nature and are, therefore, notoriously difficult to recreate. In developing these 10
programs we’ve gone to great lengths to ensure that none of the harsh digital ‘graininess’ normally
associated with some digital reverbs is present.
15 Overdrive Tone Controls
EGNLISH
lII. FX Section
Your AVT is equipped with rotary Bass,
Middle, and Treble EQ controls which are
shared between the two Overdrive Channels,
OD1 and OD2. This EQ section boasts a tone
circuit identical to the one used in legendary
Marshall valve amplifiers such as the 100 Watt
‘Plexi’ and the JCM800 2203, making it a
foundation stone for that instantly recognisable
and unsurpassable ‘Marshall Sound.’ As was
the case with the Clean channel’s EQ network,
these controls are interactive and, as a result,
allow endless tonal possibilities.
A. Parallel FX Loop
Your AVT boasts a rear-panel mounted
Parallel FX loop for use with external effects
devices. This FX loop is Mono so if using a
stereo effects processor you would need to
connect to the ‘mono’ output on the processor.
Below is a brief description of each of the 16 DFX programs available:
1
Hall A: this is a large, bright sounding, concert hall. “Wembley Arena, are you ready to
rock!?”
2
Hall B: warmer sounding than Hall A, this program is perfect for adding depth and character
18 FX Loop Mix Control
(Clean & Overdrive)
to clean and acoustic tones.
3
4
5
6
7
8
Hall C: a medium sized hall with 12ms of delay before the reverb starts.
Room 1: a hardwood studio with lots of early reflections. Perfect for acoustic type sounds.
Room 2: perfect for adding some subtle ambience.
When an effects unit is hooked-up to the
aforementioned FX loop, this control adjusts
the FX Mix for all three channels. Turning it
clockwise increases the amount of effect you
hear - from ‘dry’ (0) to ‘wet’ (10).
Note: Remember that in addition to these
three controls, further tonal adjustment is also
afforded by the Scoop button (13) and also the
Master Presence control which is explained
later (17).
Room 3: warmer sounding than Room 1, perfect for clean or acoustic work.
Plate 1: a bright, transparent plate sound ideal for lead work.
Please note that the FX mix on your
external processor should be set to maximum
(i.e. ‘wet’).
Plate 2: warmer sounding than Plate 1, this program is great for adding sustain, especially
II. The Master Section
These controls adjust the power amp
section of your AVT and determine the overall
Volume and Presence of the amplifier.
on clean and acoustic tunes.
B. Internal Digital FX
9
Plate 3: an accurate emulation of a vintage tube plate reverb. As this program has very little
low end it is great for adding ‘cut.’
As mentioned in the introduction of this
manual, the AVT100 features a DFX (Digital
Effects) section which adds digital effects to all
three channels.
10 Gated Reverb: by ‘chopping-off’ the end of the reverb's decay ‘tail’ via a Noise Gate, this
16 Master Volume
program is great for spicing-up chord stabs without cluttering up your sound.
Once you have set the relative volumes of
your AVT’s channels, this control governs the
overall volume of the amplifier.
11 Chorus: splitting the signal and then mixing the dry signal with a detuned version creates this
popular effect. To add to the subtle ‘widening’ this creates, the detuned signal is modulated
by an LFO (Low Frequency Oscillator) which causes the detuning to vary. The result is a
subtle, lush sound that is equally effective on both clean and dirty tones.
The DFX section boasts 16 on-board
effects and three controls - DFX Mix, Adjust
and Program.
17 Master Presence
We chose these particular effects
algorithms to give you a comprehensive palette
of natural sounding options. When developing
the DFX section, our aim was to enhance the
overall sound of the amplifier and, most
importantly, allow the effects to work with you
instead of masking your all-important tone
underneath layers of artificial sounding digital
signal processing.
A feature normally only found on
12 Flange: similar to chorus but much more ‘jet’ like in nature.
expensive valve amplifiers, the Presence
control affords you increased high frequency
control by altering the power amplifier’s
feedback. Increasing the Presence control will
emphasise high-end ‘fizz’ in overdriven tones
and top-end ‘sparkle’ in clean sounds.
13 Delay: this creates an echo repeat of the original signal. The delay time is adjustable in 10
millisecond (ms) increments and can be set to be as long as 1270ms which is well over 1
second.
14 Chorus/Room: as the name suggests, this combines Chorus and a large room Reverb.
15 Chorus/Delay/Room: if program 14 isn't dramatic enough for you then this is definitely the
one for you, as it adds Delay to the Chorus & Reverb mix!
The first 10 programs offered are all
Reverbs. Reverberation effects recreate the
natural echo reflections found in physical
environments such as halls and rooms or, in
16 Modulation: this effect is similar to the chorus effect but is less subtle and can be used to
create rotary speaker-like effects.
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ENGLISH
AVT100 Rear Panel Features
AVT100 Front Panel Features
used in both live performance and recording
situations to achieve authentic guitar amp
tones, without having to use a microphone.
Turn down the Master Volume (16) for silent
recording.
19 DFX Mix Control
22 Digital FX Program/
Adjust Table
1
Mains Input Connector
EGNLISH
(Clean & Overdrive FX)
Your AVT is provided with a detachable
mains (power) lead which is connected here.
The specific mains input voltage rating that
your amplifier has been built for is shown on
the back panel. Before connecting for the first
time, please ensure that your electricity supply
is compatible with your amplifier. If you have
any doubt, please seek advice from a qualified
technician. Your Marshall dealer will help in
this respect.
This determines the level of the internal
effects selected by the Program control (21). In
general you will find that the modulation effects
(e.g.: Chorus, Flange) require more level than
the reverbs and delays. As always, let your
ears decide what is right!
This lists the 16 programs selectable via
the Program control (21) and also indicates
which parameter the Adjust control (20)
modifies for each one. For added convenience,
this table is shown below.
FX Loop
As already mentioned, the AVT100 boasts
a Mono Parallel FX loop for connection with
external effects units. In addition to the FX Mix
control on the front panel (see ‘Front Panel
Features,’ point 18) this FX loop comprises of
an FX Send jack, an FX Return jack and an
FX level control button.
Program
Adjust
20 Adjust Control
Halls
Rooms
Decay Time
Decay Time
Decay Time
Decay Time
Rate
1 - 3
4 - 6
7 - 9
10
(Clean & Overdrive FX)
For each of the 16 selectable DFX a
particular parameter is adjustable. For
example, when a Reverb is chosen, the decay
(how long the reverb will be heard before it
fades away) is adjustable via this control. The
‘Program/Adjust’ table (22) on the front panel
of your amp lists what the Adjust control does
for each of the 16 programs.
2
Loudspeaker Jack Sockets
Plates
There is one speaker jacksocket on the
Gated reverb
Chorus
AVT100, marked Internal (8 Ohm), this is
where the output of the AVT power amplifier is
connected to its internal 8 Ohm Celestion
loudspeaker.
6
FX Return
11
For connection to the output of your
external effects device.
Flange
Rate
12
Delay
Time
13
WARNING:
7
FX Level
!
Chorus/Room
Ch/Dly/Room
Modulation
Decay Time
Time
14
21 Program
Always provide the AVT100 with a load
equal to, or greater than, 8 Ohms.
This should be set to match the level of
(Clean & Overdrive FX)
the processor being used (generally -10dB for
a stomp box, + 4dB for a professional, rack
unit).
15
This selects each one of the 16 on board
digital effects. The DFX available include
single effects such as Reverb (9 types), Delay
or Chorus and also multi-FX such as
Chorus/Delay/Room. To add further to the
flexibility of the DFX sections it can be
Speed
16
3
Footswitch
For connection of the supplied Stage Foot
8
FX Send
Controller (PEDL-00030). This sturdy 4-way
Marshall footswitch allows instant selection of
the 3 channels, plus the DFX. It also features
LED's to indicate status.
23 Power Switch
For connection to the input of the external
device being used.
Wait for it...yes, this switches the amp on
and off! When the amp is on the power switch
is illuminated and vice-versa. Advanced power
amplifier muting circuitry provides anti-thump
protection on power up and down.
switched on and off via the sturdy, 4 way foot-
controller which comes supplied with each amp.
➲ FX Loop Hints
4
Headphone
a) Always use high quality, shielded patch
cables.
The headphone output is fully emulated
using an improved version of the circuitry
found on the industry standard JMP-1.
Turning the Master Volume (16) to zero will
provide silent practice.
Important Note: As is the case with an all-
valve amplifier, there will be no signal heard
until the amp’s ECC83 preamp valve warms-up
and starts to pass signal. This can take up to
15 seconds so don’t panic!
b) If the processor being used has an
input level control, ensure it is set correctly.
c) Time based effects (delays & reverbs)
and modulation effects (chorus, flange, phase,
etc.) are ideal for use in a Parallel FX loop.
5
Emulated Line Output
d) Certain stomp box effects such as
Wah, distortion, overdrive and fuzz were
designed specifically for use in-front of the
amp and sound best when used that way. This
said, tonal beauty is in the ears of the beholder
so, if such a pedal sounds great to you when
used in an FX loop then go for it! Sometimes,
there are no rules...
This jack socket carries a specially
treated output signal from your AVT that
accurately emulates the sonic signature of a
Marshall 4x12 cabinet. This unerringly
accurate emulation circuitry is Marshall's most
advanced to date and was developed via
countless hours of technical research, playing,
listening and fine-tuning. This output can be
10
11
AVT100 Combo Front Panel Features
7
8
9
10
11
12
13
14
15
16
18
19
20
21
22
23
Valve-Drive Pre-Amp
AVT 100
Advanced Valvestate Technology
Overdrive Tone
Master FX Loop
Digital FX
Overdrive 1
Overdrive 2
Clean/Overdrive FX
Program
Adjust
OD1
OD2
Halls 1 - 3 Decay Time
Rooms 4 - 6 Decay Time
Plates 7 - 9 Decay Time
Input
Power
Mix
DFX Mix
Adjust
Program
13
12
14
11
15
SCOOP
SCOOP
10
16
0
10
Gain
0 10
Volume
0
10
0
10
Volume
0
10
Bass
0
10
Middle
0
10
Treble
0
10
Volume
Gated reverb
Chorus
10
11
12
13
14
15
16
Decay Time
Rate
9
1
Gain
8
2
Flange
Rate
7
3
BRIGHT
6
4
5
0
10
0
10
0
10
Delay
Time
Chorus Room
Ch/Dly/Room
Modulation
Decay Time
Time
Clean
Speed
0
10
0
10
0
10
0
10
Clean Tone
0
10
0
10
Presence
Clean
1
2
3
4
5
6
17
AVT100 Combo Rear Panel Features
CAUTION!: TO REDUCE THE RISK OF
ELECTRIC SHOCK DO NOT REMOVE COVER.
NO USER SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE
PERSONNEL.
WARNING!: SHOCK HAZARD. DO NOT
OPEN. TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK DO NOT EXPOSE THIS
EQUIPMENT TO RAIN OR MOISTURE. THIS
APPARATUS MUST BE EARTHED.
WARNING: DO NOT OBSTRUCT VENTILATION GRILLES
ATTENTION: NE PAS OBSTRUER LES GRILLES DE VENTILATION
ATTENTION!: POUR EVITER LES
RISQUES DE DECHARGES ELECTRIQUES, NE
PAS OUVRIR LE COUVERCLE. CET APPAREIL
NE COMPORTE AUCUNE PIECE SUSCEPTIBLE
D’ETRE REPAREE PAR VOS SOINS. FAITES
TOUJOURS APPEL A UN TECHNICIEN
AVIS!: RISQUE DE CHOC ELECTRIQUE. NE
PAS OUVRIR. POUR EVITER LES RISQUES
D’INCENDIE ET DE DECHARGES
ELECTRIQUES, N’EXPOSEZ JAMAIS CET
APPAREIL A L’HUMIDITE OU A LA PLUIE.
CONNECTER CET APPAREIL A LA TERRE.
RISK OF HAZARDOUS ENERGY
WARNING!:
Made in England by:
!
AVIS!: ENERGIE ELECTRIQUE DANGEREUSE!
Marshall Amplification plc,
Bletchley, Milton Keynes, England.
Mains Input
QUALIFIE POUR TOUTE REPARATION.
120V ~ 60Hz
175 Watts
OUTPUT: 100 WATTS RMS INTO 8Ω
Loudspeaker
(Minimum Total Imp. 8
)
NOTE: THIS DEVICE COMPLIES WITH PART 15 OF
THE FCC RULES. OPERATION IS SUBJECT TO THE
FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY
NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS
DEVICE MUST ACCEPT ANY INTERFERENCE
RECEIVED, INCLUDING INTERFERENCE THAT MAY
CAUSE UNDESIRED OPERATION.
Internal (8
)
Footswitch
Headphones
Emulated
Line Output
FX Return
FX Level
FX Send
+4dBV
-10dBV
1
2
3
4
5
6
7
8
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